During the reign of Cromwell the
theatre was banned and all actors were deemed rogues—indeed the theatre
offended Cromwell’s Puritan ideals so much that many playhouses were torn down
during his usurpation of power. Under
King Charles II the theatre sprang into being and after the suppression of the
previous puritan government, it excelled in bawdy comedies of manners and in
the celebration of sexuality and libertinism.
Charles II specifically granted Royal patents, which gave rights to
stage plays, to the King’s Company and the Duke’s Company who built new
playhouses in place of those that had been demolished in Cromwell’s great
purge. Charles II not only supported the
reemergence of the theatre but decreed for the first time in English history
that women were to be permitted on stage so they could play female roles. The emergence of women on the stage increased
the already ravenous appetites of the theatre spectators because now the bawdy
female characters were played by real women who exuded a tremendous sex appeal
after 18 years of sexual repression—King Charles was quite a fan of women on
the stage, even going so far as to take Nell Gwyn for a mistress.
Indeed, Charles was simply a fan of
women, stage or no, and is reported to have acknowledged 14 illegitimate
children by multiple women through whom his bloodline continues to this
day. Despite his many mistresses and illegitimate
children his wife, Catherine was unable to conceive and the throne passed to
Charles’s brother James. On his deathbed
popular actress and long-time mistress Nell Gwyn was in the king’s thoughts; Charles
II is reported to have said, “Let not poor Nelly starve”.
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